The New York Times

April 13, 2009

08:04
Coverage of “The 24-Hour Musicals,” an annual benefit in which short new works are written, cast, rehearsed and performed in a single day.
05:35
There are musical films and then there are films based on musicals, a distinction driven home by a new batch of movies released on the high-definition Blu-ray format.
03:49
In this wobbly new musical about waiters and waitresses, either there’s nothing of real interest to say about the experience or no one involved is very good at articulating it.
03:43
Eisa Davis’s play is a rhythmic collage of scenes, songs and reminiscences about the life of Angela Davis, the scholar and activist.
03:39
The quirks assigned to the characters in Tina Howe’s whimsy-clotted new play all feel preowned (as the car vendors say), as does the gimmick-driven plot.
01:53
New projects from the New York Theater Workshop, Clubbed Thumb's Summerworks festival and the founder of La MaMa E.T.C.
01:24
The shows must go on, so Long Island venues are turning to ticket price rollbacks and breaks to fill seats.

April 11, 2009

22:39
A new play by Marc J. Straus, an oncologist and poet, is making its debut.
12:53
“The Metal Children,” a new play by Adam Rapp, is among the highlights of the Vineyard Theater’s 2009-10 season, the theater announced on Friday.
12:45
No New York theater company in recent memory has experienced anything like the recent artistic highs and economic lows of the Theater for a New Audience.
12:38
“Tyler Perry’s The Marriage Counselor” is about evenly divided between men and women exchanging verbal artillery and lectures about staying on the true path by heeding the word of God.
08:58
“Every Little Step,” a documentary about the audition process for “A Chorus Line,” captures every little element of what Broadway gypsies endure to get onstage.
01:41
Carla Gugino is coming to Broadway in a revival of Eugene O’Neill’s “Desire Under the Elms.”
01:41
Carla Gugino is coming to Broadway in a revival of Eugene O’Neill’s “Desire Under the Elms.”

April 10, 2009

12:36
In this wobbly new musical about waiters and waitresses, either there’s nothing of real interest to say about the experience or no one involved is very good at articulating it.
12:06
Romulus Linney’s “Love Drunk” can be creepy and discomfiting (sometimes in a good way, sometimes not). It can also be overwrought.
12:04
A cute idea can be the starting point of a decent musical, but it can’t be the only point. That fundamental lesson is lost on the creators of “Being Audrey.”
11:45
The quirks assigned to the characters in Tina Howe’s whimsy-clotted new play all feel preowned (as the car vendors say), as does the gimmick-driven plot.
11:39
Eisa Davis’s play is a rhythmic collage of scenes, songs and reminiscences about the life of Angela Davis, the scholar and activist.
09:43
Selective listings from theater critics of The New York Times.
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Red Stitch Actors Theatre (Australia) presents
Good People


David Lindsay-Abaire

Kaarin Fairfax

GOOD PEOPLE
By David Lindsay-Abaire, directed by Kaarin Fairfax
February 3 – March 3
What makes a good person? Is it possible to start life over? When Mike Dillion reconnects with his one time girlfriend from high school a friendship is rekindled. Lindsay-Abaire’s thoughtful new play explores class distinctions and the decisions we make that effect our entire lives.
“Tough and tender…tremendous appeal”- Variety.