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The Main Cast are:
Ali Baba - the straight guy
Mrs Cogia Ali Baba, his wife - a bit of an old nag (could this be the dame?)
Hamid, Ali Baba’s good-looking son - (could this be a girl in a ‘trouser role’?
Cassim, Ali Baba’s brother - it might help the effect if he is short
Zaida, Cassim’s wife - it might help the effect if she is tall - is SHE the dame?
Morgiana, - Cassim’s slave girl and Hamid’s lover (sighhhhhh)
Hassan, the Robber Chief - a cross between Captain Hook & The Joker?
Wak Wak - Hassan’s sergeant
Mukkadam - Enchanter of the Forest, and leader of Imps and things
A Policeman
The chorus are a motley crew of Bagdad citizens, robbers and anything else Janet and Marj might introduce. There will be some speaking roles.
The Children’s Chorus will include imps and - oh - just be prepared.
Rehearsals will start immediately after 10th October and continue till the season opens 1st January to possibly 17 January 2012.
If you audition, you have to commit to all of this period
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Theatre students in English and Cultural Studies at UWA present contemporary English playwright Howard Barker’s rewriting of Thomas Middleton’s early-1620s Jacobean revenge tragedy Women Beware Women. Middleton’s play was last performed at UWA in the Octagon Theatre in 1982, directed by the then director-in-residence Timothy West with a cast comprising English Department staff and members of the UWA Grads and student theatre communities. This radical reworking utilises most of the first four acts and language of Middleton’s play in its first half, with a second half comprised of Barker’s mixture of vividly poetic and robust vernacular language that takes the trajectories of the protagonists towards a denouement which leaves most of the characters surviving, but which shatters the ducal state of greed, misogyny, and moral corruption – a denouement which Middleton saw fit to end with a conventional revenge tragedy massacre of his troublesome protagonists. Suitable for audiences 15+.
Tickets at Dolphin door.