Hi All,
I am a 16 year old queensland male in grade eleven (I will be 17 when I graduate) and very much want to attend a presitigious acting/musical theatre school. In Australia, I think I would either do the NIDA acting course, the Singer Actor Dancer course or at WAAPA to the BA for musical theatre. Should I audition for NIDA and WAAPA at the end of my grade 12 year? I thought I read on the NIDA website that for the BA in acting you need to be 18? My strengths lie in acting and singing mainly, and earlier this year I performed as a lead for an opera which was written to be performed by younger people. I have done some dance training on and off in the last couple of years including jazz, tap and ballet. Whilst I believe I can move my body quite well and express emotion effectively through my body, my dancing is not of the calibre of my singing and dancing. I lack in flexibility and have had not really had consisten dance training over a number of years. Will this inhibit me for my audition? Or will WAAPA be able to help me refine my dance over the time i was there if i got in? What do you suggest I do for my remaining year and a bit? Also, if you dont think I should audition at the end of grade 12, what should I do in the time before my next audition? Does anyone know much about overseas students who want to maybe go to Juilliard/Yale/New School etc etc? All advice is greatly appreciated.
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Theatre students in English and Cultural Studies at UWA present contemporary English playwright Howard Barker’s rewriting of Thomas Middleton’s early-1620s Jacobean revenge tragedy Women Beware Women. Middleton’s play was last performed at UWA in the Octagon Theatre in 1982, directed by the then director-in-residence Timothy West with a cast comprising English Department staff and members of the UWA Grads and student theatre communities. This radical reworking utilises most of the first four acts and language of Middleton’s play in its first half, with a second half comprised of Barker’s mixture of vividly poetic and robust vernacular language that takes the trajectories of the protagonists towards a denouement which leaves most of the characters surviving, but which shatters the ducal state of greed, misogyny, and moral corruption – a denouement which Middleton saw fit to end with a conventional revenge tragedy massacre of his troublesome protagonists. Suitable for audiences 15+.
Tickets at Dolphin door.