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introducing...enCLOWNpament!
7 days of sharing, learning & playing, to rediscover & nurture your inner child.
It's a well-being workout integrating interdisciplinary teaching techniques - a rejuvenating experience, to know laughter - do laughter - and realise your fun potential!
This is an invitation to awaken your natural inner clown... that genuine being who accompanies us throughout our entire life!
Re-connect with your AMUSING SELF!!!
Learn from 3 exceptional international practitioners with extensive formation in Paediatrics, Clown, Dance, Education, Acting, Directing, and Therapy. Integrating Laughter Yoga, Feldenkrais Method, Art of Healing, and more!
Enclownpament is for Everybody! no matter your age, culture, profession or social status, with or without previous clowning experience!
When? April 22-29
Where? Binna Burra , Lamington National Park, QLD
...only 30 places available - so enrol now at enclownpament.org - ...and don't miss this unique opportunity!
Web: enclownpament.org
email: clowntact@enclownpament.org
mobile: 0421 493 662 (Daniel Sala)
| En-CLOWN-pa-ment |
| Noun: |
| A place with temporary accommodations, typically for clowns or clowning The process of setting up a clown camp The act of enclowning The state of being enclowned |
Olga Rubio
Event CLOWNdinator
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Theatre students in English and Cultural Studies at UWA present contemporary English playwright Howard Barker’s rewriting of Thomas Middleton’s early-1620s Jacobean revenge tragedy Women Beware Women. Middleton’s play was last performed at UWA in the Octagon Theatre in 1982, directed by the then director-in-residence Timothy West with a cast comprising English Department staff and members of the UWA Grads and student theatre communities. This radical reworking utilises most of the first four acts and language of Middleton’s play in its first half, with a second half comprised of Barker’s mixture of vividly poetic and robust vernacular language that takes the trajectories of the protagonists towards a denouement which leaves most of the characters surviving, but which shatters the ducal state of greed, misogyny, and moral corruption – a denouement which Middleton saw fit to end with a conventional revenge tragedy massacre of his troublesome protagonists. Suitable for audiences 15+.
Tickets at Dolphin door.