Notes from a Passionate Playwright - The Journey of "The Myth of Julian Rose".

Daniel Kershaw | 12/05/2010 - 12:23

Theatrical friends and peers,

It has been a while since I blogged on this site and already I can hear the trolls emerging from their dark and sordid caves to begin their hateful rants. The subject on which I would like to discuss today, is myself.

In the world of theatre, we have the tendency to criticise one another and suggest we could ‘do it better’. One of the areas which this is prevalent is writing. Everyone thinks they are a writer. I hear it a lot. But until you actually start typing away at something, all the best ideas in the world are just going to go to waste. Then when someone responds to the call of arms for a locally written show, and actually writes something, no one is prepared to make a financial risk to back them. And then finally, if you are the very small percentile that does get a show put on, people come and give their opinions, which as we know can be devastating for emerging artists. I’ve been through all this. I wrote my first play without even knowing what I was doing. In hindsight, it wasn’t the best piece of theatre, but it was definitely a good start. Writing is a craft. Much more I believe, than acting, which can come natural to some people. Dialogue and scene construction are very hard things to master. Having written three plays, I still have a lot to learn, but I have persevered with the craft, even when I was told my work was rubbish and I no one would want to work with me. And I don’t think I am going to hit my peak for at least another decade or so.

Which brings me to the point of this blog. I have written a show that will performed at the Blue Room Theatre between June 9-28 in the Studio. It’s my ‘big stage debut’ (which is ironic considering the stage is quite small). I asked a very talented (award winning in fact) and established director, Marisa Garreffa, if she was interested in working with me. She read a rough draft of the play and agreed on the provision I develop it further. I did. And for the past six months I have worked very hard on the play to get it up to a professional standard. Whenever I look at my work, I only see errors, but others must have see potential, because we managed to get some of the most talented performers in Perth, including James Helm, Glenn Hall, Jo Morris and Sarah Nelson.

So, to say I am extremely excited about this is an understatement. It makes me smile every time I think about it. I just wanted to share my experience with you, if only in passing on this forum. I truly believe this production is going to be something very special and not just because I wrote it, but because of the passion the cast and crew have for this project. It makes me very proud. I would love all of you to see it. Details are below.

--

Mondo Di Corpo and The Blue Room presents the world premiere of new Western Australian work The Myth Of Julian Rose at The Blue Room Studio from 8 – 26 June 2010 as part of The Blue Room Theatre’s 21st birthday season.

Marisa Garreffa returns to the Blue Room to direct Daniel Kershaw’s debut work following the success of multiple award-winning Motortown in 2008 (Equity Nomination - Best Director 2008, Blue Room Awards - Best Production 2008).

Julian, is a man with a disturbing past that surfaces with a vengeance when a Minotaur begins to stalk his family. The Myth Of Julian Rose boldly portraits the effect of maternal child abuse and the fallout of suppressed trauma. Giving voice to the unspeakable, the resulting story is emotive, tragic and chilling.

“The play addresses the fallout of suppressed memory and challenges the notion of confession as a means of healing. If memories are not confronted, they will find a voice elsewhere, in this case, a ten-foot tall Minotaur” – Marisa Garreffa

Starring James Helm, Glenn Hall, Jo Morris and Sarah Nelson with live music and sounds by Tristen Parr, expect a (un)healthy dose of magic realism and contemporary performance infused with circus art in this powerful collision of genre.

Produced by Christina Yiannakis l Visual World created by Karen Cook, Ami McDonald, Bobbi Jo Divitini, Rosie Martin and Colleen Sutherland l Artwork by Deon Schafer

The Blue Room Theatre
June 9-26. Tues-Sat 8.30pm
TICKETS THROUGH THE BLUE ROOM
PHONE: 9227 7005 ONLINE: blueroom.org.au/blueroomseasons

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Looking forward to it
Author: jeffhansen
Date: 12/05/2010 - 12:41
jeffhansen's picture

Looking forward to it Daniel.

www.meltheco.org.au


I am sure if it will be
Author: Daniel Kershaw
Date: 12/05/2010 - 12:45

I am not sure if it will be exceed seeing you in a nappy, but we shall try.


Crafty
Author: Garreth
Date: 12/05/2010 - 16:47

"Writing is a craft. Much more I believe, than acting, which can come natural to some people."

I have seen alot of people with what I would call raw talent, but I have never seen someone stand on stage for the first time and deliver a monologue flawlessly. Also give someone who has never done any Shakespeare ever a scene to perform and see how well they cope.

My point is, I would be careful about making comparisons between two skilled crafts as you'll only serve to alienate one of them. I certainly wouldn't work for a playwright who didn't value my skills and I doubt you'd want to work with me if I said  "acting is a craft, much more so than writing because some people are just naturally talented writers. Projection and timing are hard things to master"...


I'm never going to live
Author: jeffhansen
Date: 12/05/2010 - 18:25
jeffhansen's picture

I'm never going to live that down, am I?

www.meltheco.org.au


Re: Garreth
Author: Daniel Kershaw
Date: 13/05/2010 - 11:50

"Writing is a craft. Much more I believe, than acting, which can come natural to some people."

Garreth, did I say acting was NOT a craft? I said that to attain a level that is reasonable for the stage is much harder than with acting. A lot of people have raw acting talent, which can be transformed into skill in a short period of time. Try developing your writing talents in just a few short years and tell me how far you get.

I used the word 'believe' to state that this was my opinion This is a blog. It is allowed to be subjective. Please do not assume that I have little to no respect for actors. It is quite the opposite. During "The Myth of Julian Rose" I have attended most rehearsals because the performers have inspired me to make minor adjustments to the play. Yes, their craft has helped me develop my own. They will be the real stars of the show, not me.

"acting is a craft, much more so than writing because some people are just naturally talented writers"

Garreth, if you said that to me, I would still want to work with you. And if you would refuse to work with someone over a single statement, well that's your decision.

Let's not make this a thing. I've grown tired having to defend my thoughts. If you do not agree with me, do not read my blog. I will still have respect for you.


Oh no man, i didn't take it
Author: Garreth
Date: 13/05/2010 - 14:28

Oh no man, i didn't take it personally, just thought I should say something more diplomatically than a troll would. I also said something because I think it's an interesting discussion point; Is it possible to have someone who's just naturally gifted and needs little to no training in either field?

Anyway, feel free to discuss or not.


Writing -v- Acting
Author: stinger
Date: 13/05/2010 - 13:00
stinger's picture

Writing may be a craft.

Acting is an ART.

Ssstinger>>>


So...
Author: Logos
Date: 13/05/2010 - 15:51
Logos's picture

...is writing.

Writing can be taught as can acting but in both cases without the spark you won't get anywhere. There is technique that you can learn from classes or from observation in both cases.
The same applies to directing, Peter Brook (possibly the greatest theatre director of the twentieth century and untrained) once said that he could teach anyone the technicalities of directing in a few hours but without the spark it wouldn't do any good. I paraphrased because I can't find my copy of his second book.

Actors without professional college training
Bob Hoskins
Johnny Depp
Christina Ricci
Heath Ledger
Jody Foster

Is that all there is? Well if that's all there is my friend, then let's keep dancing.
www.tonymoore.id.au


I just wrote a long reply
Author: Daniel Kershaw
Date: 13/05/2010 - 16:42

I just wrote a long reply and I lost it all. GRRR.

Anyway,

I am used to getting bombarded by negativity on this forum, hence why my defences were up. I completely misunderstood your intention, Garreth, and I apologise.

It is an interesting topic. I believe that people can excel in both fields with relatively little training. I would also like to clarify my position on ‘craft’. In my semantic interpretation of the word, I take it as a field that require specialised knowledge. In writing, it can be as simple as formatting your script properly. If someone sent a theatre company a script that had chaotic formatting, chances are the reader of which would disregard it as the work of a novice. Even though there is more required knowledge for film scripts, people still need to be aware of certain facts if they wish to attain professional status as a professional playwright. And I agree very much with Stinger. Acting is an art. Very few playwrights, again, in my opinion, have made writing into an artform. Actors are visual artist, like painters, while writers are craftsman (or persons as we probably should call them now). I want to use the metaphor of a chair, but don’t want to sound like Plato. Oh hell, I’ll just go for it. Writers make chairs. The chairs may vary in shape and form and people may have different subjective responses to them, but ultimately, the chairs have similarities and can be all sat upon. I am rambling now. Thank you Garreth.

And Logos also made a valid point. You do need the spark. You can tell when someone has it, because a fire burns in their eyes.

Well, there is my lengthy response.


Be there
Author: Skybe
Date: 13/05/2010 - 16:49
Skybe's picture

I'll be there...with bells and boots on.


I wonder who you could be
Author: Daniel Kershaw
Date: 13/05/2010 - 16:53

I wonder who you could be Smiling


Congratulations
Author: Rapunzel
Date: 15/05/2010 - 15:09
Rapunzel's picture

Congratulations Daniel, seriously. It is hard to get keystrokes on e-paper and then even harder to get someone else to read the damn thing, let alone to see it actually performed.

I don't live in the right state so won't be able to attend but offer my best wishes to you and all concerned.

PS: got to agree with Logos, without the "spark" all the lessons, classes, technique in the world won't make you either a good actor or writer.

"Life is too short to stuff a mushroom"


Good analogy
Author: Rapunzel
Date: 15/05/2010 - 15:11
Rapunzel's picture

Good analogy by the way. All plays are chairs, and different people sit in, or around, them and thus temporarily change them...but they remain, at heart, the same chair.

"Life is too short to stuff a mushroom"


Thank you Rapunzel. Most
Author: Daniel Kershaw
Date: 15/05/2010 - 16:46

Thank you Rapunzel. Most appreciated.


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