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Introduction to Practical Aesthetics
Be re-energised and re-inspired and discover your full acting potential with this 10 week workshop using the PA technique
This wonderful approach to the craft of acting is designed for actors who have had previous training and are interested in taking their work to a whole new level. This technique teaches you to work from moment to moment so that you are constantly present in your work. It involves doing a thorough analysis on scenes so as to be true to the playwrights intent and works intensively with movement and getting the actors fully into their bodiesYou need to bring a selection of scenes that you wish to work on from the beginning but have not learnt.
Course Dates:
Thursday nights
6th, 13th, 20th and 27th of March. 3rd, 10th, 17th and 24th of April. 1st and 8th of May 2008
From 7.00pm - 10.00pm
Cost: $595 inc. GST (cash and most credit cards accepted)
Course Director: Kim Krejus
Kim has just returned from NY where she participated in an intensive training in David Mamets Practical Aesthetics technique. The technique has built upon Kims previous work as a teacher and informed her approach to the training of an actor.
Kim Krejus is an extremely experienced and committed acting teacher
who has studied at the worlds most renowned acting schools including NIDA the Drama Centre in London, Uta Hagan in NY and with Philiippe Gaullier in Paris. She has taught at NIDA, VCA, Central Queensland Uni and the National Theatre. Kim is Melbournes most highly qualified acting teacher and is Melbournes only practictioner of the renowned Practical Aesthetics technique!!!
Location
Brave Studios - 227 Brighton Rd, Elwood (corner of Coleridge St)
MAXIMUM OF 12 STUDENTS - SO PLEASE CALL TO RESERVE YOUR PLACE on (03) 9531 9933 or email info@bravestudios.com
A MINIMUM DEPOSIT OF $150 IS REQUIRED. THIS DEPOSIT IS FULLY REFUNDABLE UPON 5 WORKING DAYS NOTICE OF ANY CANCELLATION.
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After getting a divorce from C.K. Dexter Haven, Tracy Lord prepares to marry again… however, in the days before her wedding, Haven and a reporter, posing as her brother’s friend, show up at her doorstep. From there, Tracy is forced to choose among her past love, her present love and her new love. Amidst the situation comedy, and fast-paced dialogue, Barry explores several contemporary social issues, such as society’s perception of class differences in America and attitudes towards adultery and divorce in the 1930’s.