Clockwork Program (ages 13 - 18 years old)

September, 2009
S M T W T F S
1 2 3 4 5
6 7 8 9 10 11 12
13 14 15 16 17 18 19
20 21 22 23 24 25 26
27 28 29 30


Clockwork Program (ages 13 - 18 years old)

Climbing Vine Theatre Company is proud to offer the new course, the Clockwork Program. Suitable for teenagers (aged 13- 18 years old) who have some experience in theatre and are ready for a bigger challenge.

The Clockwork Program gives actors a challenge and encourages them to stretch themselves creatively. This level of study is designed to allow teenaged actors to move on from their basic skill set and learn more intensive performance disciplines. Like all of Climbing Vine Theatre Company Programs, Clockwork is a very hands-on, project based program. Our performances are produced to a high standard and we set standards for our students that reflect the broader industry expectation.


info@climbingvine.com.au

Josh Dore

(08) 9277 6190

Post new comment


*

  • Web and e-mail addresses are automatically converted into links.
  • Textual smileys will be replaced with graphical ones.
  • Lines and paragraphs break automatically.
  • Glossary terms will be automatically marked with links to their descriptions
Verify comment authorship
Captcha Image: you will need to recognize the text in it.
*
Please type in the letters/numbers that are shown in the image above.
User login

Who's online
There are currently 2 users and 324 guests online.Online users:

  • Kaitlin Shawcross
  • Labrug

Navigation

Syndicate
XML feed

How do I ...

Featured event
The Theatre on Chester (Sydney) presents
The Servant of Two Masters


Written by Carlos Goldini. Re-Written by Nick Enright and Ron Blair.

Carla Moore

Goldoni is made grouse in this colourful and riotous comic masterpiece. Truffaldino doesn’t really think through the problems inherent in having two bosses – especially when they’re unaware of each other’s presence and desperate to get back into each other’s pants. Our hero reckons he’s found a way of increasing his coin and food income on his labour. Or, as he puts it: “two masters, two wages, two dinners – too right!”