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Auditioning
For Film & Television
These
workshop will give participants an opportunity to develop practical
skills and valuable insights into the film and TV industries
whilst working with some of Autralia' s best known casting directors.
Courses will cover the following: how to approach the script,
improvisation, working with directors and casting directors,
the purpose of the screentest and how to market yourself as an
actor.
Casting Directors and Course Dates:
Lou Mitchel
Saturday 17th December 10am - 5pm
Course
Costs:
$245.00 (includes GST)
Course
Directors:
Lou
Mitchell
has worked in casting for 22 years, starting at Crawfords
under the training of Graeme Moore and Jane Pontifex. She then
commenced work for Maura Fay twenty years ago where she
has worked on all aspect of shows, casting extras bit parts leads,
dailies and semi regular roles. Her credits include: The Man
From Snowy River series 1 - 4, Law of The Land series 1 - 2,
Ponderosa (US Television series), Saddle Club series 1 - 3, Gueneviere
Jones, Little Oberon, The Coast, That Eye...The Sky, Prey, Mission
Impossible TV series US television, Snake Tales and Kick. She
has also cast for several US pilots ABC, NBC. Lou recently worked
on series 3 of City Homicide and is now casting for Neighbours.
LIMITED SPACE AVAILABLE
- RETURN YOUR ENROLMENT FORM
WITH DEPOSIT TO RESERVE YOUR PLACE or phone (03) 9531 9933 or
email info@bravestudios.com
NOTE:
A MINIMUM DEPOSIT OF $150.00 IS REQUIRED. $75.00 OF THIS DEPOSIT
IS REFUNDABLE UPON 5 WORKING DAYS NOTICE OF ANY CANCELLATION.
calendar | email this class or workshop | 368 reads
Theatre students in English and Cultural Studies at UWA present contemporary English playwright Howard Barker’s rewriting of Thomas Middleton’s early-1620s Jacobean revenge tragedy Women Beware Women. Middleton’s play was last performed at UWA in the Octagon Theatre in 1982, directed by the then director-in-residence Timothy West with a cast comprising English Department staff and members of the UWA Grads and student theatre communities. This radical reworking utilises most of the first four acts and language of Middleton’s play in its first half, with a second half comprised of Barker’s mixture of vividly poetic and robust vernacular language that takes the trajectories of the protagonists towards a denouement which leaves most of the characters surviving, but which shatters the ducal state of greed, misogyny, and moral corruption – a denouement which Middleton saw fit to end with a conventional revenge tragedy massacre of his troublesome protagonists. Suitable for audiences 15+.
Tickets at Dolphin door.