Elanora Players

Address
P.O. Box 154
Narrabeen 2101

Venue
Elanora Heights Community Centre, 49a Kalang Road, Elanora Heights

Company information
Elanora Players is a small but fun community theatre group on Sydney's Northern Beaches. We pride ourselves on producing entertaining theatre with high production values. We perform 4 plays a year, coinciding with school holidays. We welcome new members either on or off-stage. For enquiries, please call our President, Kerrie King on 9451 5373.

Further information
Margot Beckett
(02) 9982 7364

Past productions

2008
Present From the Past10/01/2008 - 18/01/2008

2007
Relative Values13/04/2007 - 21/04/2007
And Then There Were None11/01/2007 - 19/01/2007

2006
Postmortem07/07/2006 - 15/07/2006
Tie Break21/04/2006 - 29/04/2006
Four Plays Down the Road20/01/2006 - 28/01/2006

2005
Good Help is So Hard to Murder30/09/2005 - 08/10/2005

2004
Summer of the Seventeenth Doll08/01/2004 - 17/01/2004

2003
A Ghost on Tiptoe02/10/2003 - 11/10/2003
Pen-Friends10/07/2003 - 19/07/2003
Wanted One Body09/01/2003 - 18/01/2003

2002
The Touch of Silk03/10/2002 - 12/10/2002
A Murder is Announced12/07/2002 - 20/07/2002
The Touch of Silk01/04/2002 - 01/04/2002
Tour Di Europa11/01/2002 - 19/01/2002

2001
MONEY AND FRIENDS05/10/2001 - 13/10/2001
KEY FOR TWO13/07/2001 - 21/07/2001


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Elanora Players
Elanora Players are always looking for new members who are interested in working both on and off stage. Enquiries please call Kerrie on 9451 5373 .


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Featured event
English and Cultural Studies - UWA (Perth) presents
Women Beware Women

Howard Barker/Thomas Middleton

Steve Chinna

Theatre students in English and Cultural Studies at UWA present contemporary English playwright Howard Barker’s rewriting of Thomas Middleton’s early-1620s Jacobean revenge tragedy Women Beware Women. Middleton’s play was last performed at UWA in the Octagon Theatre in 1982, directed by the then director-in-residence Timothy West with a cast comprising English Department staff and members of the UWA Grads and student theatre communities. This radical reworking utilises most of the first four acts and language of Middleton’s play in its first half, with a second half comprised of Barker’s mixture of vividly poetic and robust vernacular language that takes the trajectories of the protagonists towards a denouement which leaves most of the characters surviving, but which shatters the ducal state of greed, misogyny, and moral corruption – a denouement which Middleton saw fit to end with a conventional revenge tragedy massacre of his troublesome protagonists. Suitable for audiences 15+.
Tickets at Dolphin door.