I'd like a bit of discussion about curtain calls.What are the protocols?They seem to vary & this may be a good thing.But,should they be judged as part of the show?I have at times seena very tight and well directed show,followed by a sloppy CC.Sometimes the CC seems to be a "free for all"with waves to family & friends,thumbs up signs,indespersed with random bows.
During some CCs (and I think this only applies to non professional theatre),cast members applaud EACH OTHER,a practice which makes me cringe.I think members of the audience should be the sole judges of who's worth a clap.But what about applause for the Bio Box mob & the backstage crew??Is this a good idea?
And finally CCs frequently look like an after thought,which the director afterall the hard& creative work on the production says (or thinks)Oh ,now what about the bloody CC.Maybe this could be a job for the stage manager;the Director having completed the actual production!!Whatdoyareckon?
PS There's also the question of wether we need CCs at all.Some productions don't have them,usually because of the negative impact they may have on the show.
So to have or not to have,or how to have & what to do!!! Any comments???
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Goldoni is made grouse in this colourful and riotous comic masterpiece. Truffaldino doesn’t really think through the problems inherent in having two bosses – especially when they’re unaware of each other’s presence and desperate to get back into each other’s pants. Our hero reckons he’s found a way of increasing his coin and food income on his labour. Or, as he puts it: “two masters, two wages, two dinners – too right!”