Edges is a new musical song cycle which explores the boundaries, limitations and journeys of young adulthood. Seen through the eyes of one of Sydney's freshest young directors, Benita de Wit, the show follows the journeys of four burgeoning young adults as they experience a vast array of universally classic 'coming of age' questions and life events. There’s laughter and attitude aplenty!
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Little Women is the story of four sisters and thier journey from childhood to womanhood. A beautiful musical based on the classic novel by Louisa Alcott, Little Women is an ensemble cast piece. It features 6 female roles and 4 male roles, of various ages. We will also be having a small ensemble that makes up the understudies for the show. The understudies will recieve two of the ten performances to perform regardless.
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Hi Everyone,
My name is Lauren Bell, I'm a Specialist Makeup Artist.
If anyone needs a Makeup Artist I will be more then happy to help, whether it's paid work or experience.
I'm qualified to do Theatre, Fashion, Film and TV, Special Effects, Photography, Special occasions, Airbrushing and Basic Hairstyling.
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This one woman play, with songs is about Maggie, a middle-aged woman who is returning to her childhood home to "go through" her recently deceased widowed-mother's estate. Edna lived there for half a century. Longer. The house is full of "things". Maggie's memories flood back. There are long forgotten photos, toys, newspapers and knick-knacks. Edna was a hoarder. Who gets what? What do you keep? What will Maggie discover?
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Classically trained male singers needed!
The Last Maharajah - a variety of roles that will involve both ensemble (chorus) singing and some solo singing and minor speaking roles. Please note that each role will involve both solo singing AND ensemble singing.
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Macbeth is a haunting tale of regicide, murder, witchcraft, demons and spirits. Unrelenting in its pace, violence and supernatural themes, it is regarded by many critics as Shakespeare's darkest tragedy. Director Garreth Bradshaw (WAYTCO's Life of Galileo, Upstart Theatre Company's Taming of the Shrew) says "I have no interest in creating a mediocre Macbeth. I want my audience to walk away having been truly frightened, shocked and deeply moved by the text...".