I am auditioning for alot of musical theatre courses like:
and ADPI which I have already auditioned for and was accepted but I have to tell them if Im doing
MAZENOD COLLEGE presents the WEST AUSTRALIAN PREMIERE of "THE PRODUCERS" for 2007!
We are an all boys school looking for FEMALE SINGERS/ DANCERS to audition for our major production for 2007. The production will be in early May 2007 and would require a rehearsal period from February to May.
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Hey people just wondering what all your views and stories etc are about males with a higher chance of getting in in teh case of lower auditions by their part. Anyone know any info about how much chance you have being whatever gender, and cahnces etc for the music theatre courses (BA and cert 2)
2 male singers needed for musical production - 6, 7, 8, 9th December at the Rechabites Hall.
Auditions - Sunday 17th September - CONTACT KARLA TO BOOK AUDITION TIME 0402 025 937
Males wanted to audition for "I Love You, You're Perfect, Now Change" a hilarious musical review is a celebration of the "mating game" which tackles the truths and myths behind that contemporary conundrum known as "the relationship"! - from the 'dating and waiting' in Act 1 through to in-laws, newborns and the pick up techniques of the geriatric set in Act 2! This is a hilarious tribute to all who have fallen on their faces at the portal of romance!
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Starbound 3 is a two week, full time musical theatre workshop for 14 to 18 year olds in January 2007. The auditions will be held on SUnday November 19 at 3 set times (you must register). The two week workshop is a fantastic opportunity to sing and dance an array of musical theatre songs from some of Broadway latest and greatest shows such as A Chorus Line, Wicked, Seussical, Songs for a New World and more. You will receive training and direction from leading professional artists and performing arts teachers and at the end of the two weeks perform 3 shows with a live band and full houses!!!
A play rehearsal is interrupted by the arrival of a divided family who have been abandoned by their creator and are seeking an author, ‘any author’, to give them a ‘definitive artistic form’ so their stories may be staged. While the first performance of Luigi Pirandello’s Six Characters in Search of an Author to a Rome audience in May 1921 was almost booed off the stage it has gone on to have many successful seasons and is still a major part of the theatrical repertoire. The play, in part, is Pirandello’s attack on the Italian theatre of the time, with its actor-managers and star-systems, its stock characterisations, and its standard repertoire of romantic melodramas. However, it is a play on many levels. It raises questions about the nature of reality, of what constitutes identity, and how we can gauge what is truth. On another level it is a hysterical romantic melodrama about a warring family who live out their emotions on the skin. And, it is also a deeply tragic revenge narrative – a tale of betrayal, adultery, suicide and death. Students enrolled in theatre studies at UWA present this very physical, at times comedic, and often provocatively philosophical play, virtually uncut and unlike many productions we choose not to attempt to modernise it into the contemporary world of electronic media.