Theatre Critic

shanesanfilippo | 11/03/2010 - 08:56
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Hi!

As you may know the show I'm directing, PIPPIN is currently being performed, the cast are incredibly talented, the show is amazing and very funny! Tickets are incredibly cheap so there is no reason not to come see this show!! Smiling I'd love for you to be able to come! I've included the details below.

aletia artemis | 04/03/2010 - 13:50

Actor, innovator, creator and director! I am a 39 year old female. Medium height, brown hair, green eyes.

My training includes: singing, dance, yoga, Feldenkrais and puppetry.

I have the following qualifications:

Jenni C | 04/03/2010 - 10:03

**********URGENT CASTING CALL********** WE ARE CALLING ALL MARRIED OR DEFACTO COUPLES FOR JERRY SEINFELD'S NEW SERIES - THE MARRIAGE REF! We are currently casting a new series (created by Jerry Seinfeld) for the Seven Network called ‘The Marriage Ref’, and are seeking dynamic and confident couples with interesting and quirky disagreements. Both partners must be passionate about their argument and at a stalemate. The purpose of the show is for our Marriage Ref and celebrity judges/comedians to decide the winner of the dispute. (Madonna & Ricky Gervais have just agreed to appear on the UK version as celebrity judges)

Shadow House PITS | 11/02/2010 - 08:47
Shadow House PITS's picture

I found On
Directing and Dramaturgy; Burning the House

(Routledge 2010) by Eugenio Barba
to be the most engaging and useful theatre text since Brook's The Empty Space published over forty years ago. Barba takes us outside the mechanistic ways that so much of Drama study and actor training have taken. Barba illustrates the different dramaturgies that need to be considered in all creative and theatrical effort. In some ways it reflects the meta-textural thinking of Derrida and even Artaud. The work is not all theoretical or philosophical. It is also a most practical workbook which every theatre practitioner and training institution needs to consider.

Joe Woodward | 11/02/2010 - 08:02

In April 2010 a group of students from The Daramalan Theatre Company went to Caloola Farm surrounded by the idyllic mountains south of Canberra. Here they set about relating the texts of Marlowe's Doctor Faustus and Goethe's Faust to their own lives and world as they experience it. This led to the beginnings of a kind of meta text through which they questioned the generally accepted realities of life and social construction. A presentation was given over two nights in June for an invited audience. Now the work is being revisited and shaped into a theatrical event that reflects the discoveries and explorations from the initial Caloola Farm camp.

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