I had the good fortune this Saturday just gone to drive up the hill to Roleystone Theatre and see their current production of Sondheim's Into the Woods. As a blanket statement at the beginning of my review, I would like to say that before I saw this production, I would not have believed a community theatre would have been able to pull this show off so well. A pleasant (and most enjoyable) surprise!
The production was set very cleverly, with large books present on the apron that would open to create staging for that particular fairytale. For example, the book entitled Rapunzel would open up to reveal Rapunzel in her tower. Very clever and effective. My one small gripe with this was the addition of a Red Riding Hood book that never opened. I understand that this was clearly built to balance the set, however, I personally feel in this case that the set would have worked equally well with one book on one side and two on the other - but that could be part of my personal vendetta against symmetry
Upstage of the apron, the designers created a wood for the performers to get lost in that exhibited a beautiful fairytale book quality with its simplicity while avoiding "cardboard cut-out syndrome". And apart from the odd jolted fly in, the crew are to be commended for their manipulation of the intricate details of the set.
I would also like to offer my profound respect to Musical Director Matt Austin. The understanding of Sondheim's score and the precision with which Mr. Austin controlled both the orchestra and the performers on stage is to be commended. In my humble opinion, a Sondheim musical doesn't have room for error - the lyrics are convoluted, the melodies rarely go where one would expect them to and more often than not there are more people singing separate parts than there are orchestra members. The music in this production was sublimely crafted and controlled; a strong testament to the discipline and efforts of an extremely talented MD - well done indeed.
As for individual performances... Well, it's very difficult to pick stand outs from the cast, as the whole ensemble put in a performances that I feel they can be proud of. Pretty much every character had their own stand out moments: be it the two Prince Charmings' Agony (stunning comic timing); or Jack's Giants in the Sky (breath-taking vocal control - it would be easy to belt, but to draw the audience in with softness...); or Rapunzel's pure voice; or the Baker's heart-wrenching realisation that his wife had died (you had me in tears); or the Bakers Wife's strength and determination; or the Witch's, well, everything. I could go on and on about the various moments that I connected with in this show, but it is getting late and I should probably think about wrapping this up and heading to bed.
All in all, I would just like to offer my humble congratulations to the cast and crew of Into the Woods - I feel you have a show that you can be truly proud of, well done 
Darren
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Big Brother heads Battle Royale and The Hunger Games in a sexy, tough and compelling new play by WAYTCo
The Western Australian Youth Theatre Company is putting 16 of Perth’s hottest young talent on stage in a remarkable play by Jane Bodie. Her play ‘This Years Ashes’ by Griffin Theatre Company won acclaim in 2011.
Set in a world of the near future these young people find themselves thrown together by forces beyond their control. Struggling to come to terms with their new situation, their captors encourage them to relax and socialise, but what are the reasons behind this most comfortable of prisons? Slowly they come to realise what they are meant to become – a revelation that tests them morally and ideologically.
WAYTCo welcomes back emerging director Renato Fabretti (DNA, October, Lord of the Flies) to work with the youth theatre ensemble and creative team to make this production unmissable. Fabretti, a WAAPA acting graduate and NIDA directing graduate has performed with many major theatre companies, and in Underbelly as the young gangster Chopper Read. His last production for WAYTCo, DNA, attracted big audiences and great reviews:
“Beautifully realised … with terrific direction and all-round excellent performances from the young cast”… The West Australian.
WAYTCo has produced remarkable talent in recent years – Tim Minchin and Clare Hooper stand out as success stories. The confidence and strength these actors achieve from involvement in WAYTCo productions help to prepare them for adult life, even if they don’t become celebrities.
MINE by Jane Bodie will be at the Subiaco Arts Centre from June 2nd previewing with a ‘pay-what-you-can’ night on June 5th before officially opening on June 6th. The production is on Wednesday to Saturday nights at 7:30pm until June 16th.
Tickets available from BOCS or donate $20 to our crowdfunding drive at http://mine.pozible.com and claim a ticket as a reward.